collection #1
The first collection is documentation from Chile's Project Cybersyn (1971–1973) — a cybernetic system for managing the national economy, built under Salvador Allende and destroyed by the 1973 military coup. The archive has been scattered across institutions and private collections for fifty years.
This collection includes only documentation that was clearly produced — and therefore its rights are owned — by the state of Chile through one of its agencies — either extinct or still active. By international standards and Chilean law, these documents are public information.
collection #2
The second collection is the archive of Screen Walks, a collaborative project by Fotomuseum Winterthur and The Photographers’ Gallery investigating the changing role of the photographic image in its networked and digital forms. Artists, curators and researchers were invited to perform live-streamed explorations of the digital spaces where their core practice takes place. The first Screen Walk with Penelope Umbrico took place on 8 April 2020, and the last one with Ting-Chun Liu and Leon-Etienne Khür on 26 March 2025.
Across five rungs, the compost.cc collection holds original and compressed video recordings of the 86 Screen Walks and additional performances, a guided tour and a workshop, along with audio versions, transcripts, and preparatory and archival materials.
The programme was launched by Jon Uriarte, then digital programmes curator at The Photographers’ Gallery, and Marco de Mutiis, digital curator at Fotomuseum Winterthur.